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He said he also read a lot of Annie Baker and Caryl Churchill. Playwrights Joe Tracz and Joshua Conkel, who had worked with Handler on adapting A Series of Unfortunate Events for Netflix, suggested playwrights to read. Having never written a play, he did some research. “And I wanted that to be jarring and funny as scenes bumped up against each other.” He found that effect difficult to achieve with prose and thought perhaps that the story was a screenplay, but he soon realized it didn’t flow like one. “It moved between scenes rather quickly,” Handler explained. This discovery came from understanding the piece’s structure. And then I went, ‘Uh oh, this is a play.’” It was a raw and unfounded thing.” Still, the unknown rattled him: “I’m used to knowing at least partially what I think I’m doing. I didn’t know what I was doing, and that was liberating. He began writing after his father died (“a little bit every day so as not to go crazy”), but he didn’t know what form the piece was taking.
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Handler didn’t set out to write a play, he explained. “We want narratives to be comforting more than we want them to be true.” “Stories can haunt us,” Handler said during a phone call this past summer while workshopping the play at Berkeley Rep. It also explores storytelling, positing that one reason we are drawn to fiction is that we like to fit our lives into narrative frameworks. 19, directed by the theatre’s artistic director, Tony Taccone, has Handler’s signature subversive humor as it depicts the death of a parent and the subsequent chaos. Imaginary Comforts, or The Story of the Ghost of the Dead Rabbit, slated for its world premiere at Berkeley Repertory Theatre Oct. While Handler’s prolific output has ranged from a novel about love to a children’s Hanukkah book to a photography collaboration, he now finds himself in unfamiliar territory with his first play. His popular book series for children, A Series of Unfortunate Events, was written under the name Lemony Snicket-not a pen name in the usual sense, but the name of the fictional character narrating the books. The name Daniel Handler may not be recognizable to many theatregoers, and even though he’s a best-selling author, it may not even be recognizable to many readers.